一直作(zuò )為(🌠)米路(lù )斯.科曼劇本鐵三(🏽)角(jiǎo )(另(🔼)一(🌰)位是(🕋)帕(pà )培錫(xī ),也是(🕰)本(běn )片(🤴)編劇之一(🎗))成員的艾雲.巴薩(sà ),當(dāng )(🐮)然也走低度(dù )戲(xì )劇路線(xiàn )。同(tóng )是音(yīn )樂家(📼)的(😎)彼德與卡洛老友(yǒu )重(🎩)逢(🤷),生活狀況大不(bú )同,你有伴侶我(wǒ )有家庭,然而都有說不出的不明(míng )朗(lǎng ),唯有以酒(🕕)與音樂代替口(💞)水。全片推展不問目(🌚)的(de ),只在(zài )剎(😞)那間的(❔)意圖,行(🎛)行(háng )(🌊)企企比起科(🗞)曼更義(yì )無反顧,卻有生活淡如流水的詩意和繆思,叫觀眾聯想到(🚻)二(èr )十年後的(💠)伊力.盧(🤳)馬。巴薩鍾愛音(🧣)樂的程度不下(xià )於文(wén )字和(hé )電影,古(gǔ )典(diǎn )音樂與(yǔ )民(mín )間音樂(lè )於全(quán )片迴(huí )轉迴盪,難怪成了(🌪)奇(qí )斯洛夫(💹)斯基(🐩)十大心愛電影之一(yī )。 (📧) 康城影展(zhǎn )(🔤)青年(💏)評審團獎,美國全國(guó )影評(🔞)人協會特別獎(🔙) 這部1966年的(⏳)珍品,是(🍁)捷(jié )克(👛)新浪潮短暫生(shēng )命中最(zuì )佳(jiā )作品之一。成名(❓)音樂家(jiā )到小鎮(zhèn )探(🚤)訪(🚩)舊同學(🏸),舊同學是(shì )個窮(👅)音樂教師,有(🌲)時在喪(sàng )(🚪)禮上吹奏樂(lè )曲。平凡的素(💨)材(cái )在巴素手裡,變(🚓)出風趣復罕見的旋律(lǜ ),一部(bù )(🎁)憂鬱的喜(xǐ )劇(jù ),或灰(huī )色(👔)喜(😼)劇。 (🏁)- Dave Kehr, Chicago Reader (🍂) (🏉)Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🍓) Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (🌓) (🥙)Source HKIFF Czech New Wave 2006
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